Above the Below / Sanctum of Flow, Kistefos Museum, Jevnaker, Norway, 2026
Above the Below / Sanctum of Flow is a site-integrated ceramic installation created for the communal washrooms of Kistefos’ visitor centre.
19 Jun 2026 13:00
Above the Below / Sanctum of Flow is a site-integrated ceramic installation created for the communal washrooms of Kistefos’ visitor centre.
3 Oct 2023 13:00
The exhibition continued the artists’ exploration of porcelain as a medium historically associated with refinement, domesticity, and the applied arts, while using it to challenge the cultural expectations and hierarchies attached to these traditions.
13 Sept 2023 13:00
Strange Bargain was the Milan presentation of Skuja Braden’s first solo exhibition with kaufmann repetto, presented across the gallery’s New York and Milan venues. The two exhibitions formed distinct yet interconnected projects, bringing together works that explore the intersections of commerce, power, identity, sexuality, and authorship.
8 Sept 2023 13:00
Pardon My Body was part of Skuja Braden’s first solo exhibition with kaufmann repetto, presented across the gallery’s New York and Milan venues. The exhibition brought together two distinct yet interconnected projects, introducing the work of the Latvian-American collaborative duo to the gallery.
9 Jul 2023 13:00
Open Closet was Skuja Braden’s first exhibition in Istanbul, presented at Root Karaköy in 2023 and curated by Pınar Goodstone. Developed in solidarity with Istanbul’s LGBTQ+ community, the exhibition brought together works from the artists’ 2022 Latvian Pavilion at the Venice Biennale alongside new porcelain sculptures.
23 Apr 2022 13:00
Selling Water by the River was Skuja Braden’s exhibition for the Latvian Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, presented from April 23 to November 27, 2022. Curated by Solvita Krese and Andra Silapētere, the exhibition brought together more than 300 porcelain objects, including newly commissioned works alongside pieces created over the previous two decades.
14 Mar 2020 15:39
Samsāra was a major exhibition by Skuja Braden at the Museum of Decorative Arts and Design in Riga, presented from March 14 to September 27, 2020. Marking 21 years since Ingūna Skuja and Melissa D. Braden began working together, the exhibition brought together more than 200 porcelain sculptures, paintings, drawings, and objects from museum and private collections, alongside works created especially for the exhibition.
CLAY / CRAFT / CONCEPT explored the boundaries between sculpture and the beautifully crafted functional object, bringing together a large and eclectic group of artists working with clay. Presented by the Malta Society of Arts, the exhibition investigated different approaches to clay across time, from prehistoric objects to contemporary practice, creating a dialogue between functional, decorative, and sculptural forms.
The Sum of Our Parts brought together artists exploring the body as a fluid, fragmented, and continually evolving entity. Presented across Swivel Gallery and its booth at NADA New York, the exhibition brought together works informed by cyberpunk, science fiction, eco-horror, post-humanism, and speculative visions of the body.
In the Name of Desire explored the diversity of sexuality and sensuality in Baltic visual art, bringing together historical and contemporary practices across painting, graphic art, photography, sculpture, installation, and video.
Souvenirs of the Future explored the relationship between memory and imagination through contemporary works inspired by the Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection.
Don’t Cry! was a major exhibition at the Latvian National Museum of Art in Riga, presenting feminist perspectives in Latvian art from the 1960s to the present. Bringing together works by almost 50 women artists, the exhibition explored themes including femininity, motherhood, reproductive rights, sexuality, relationships, emotional politics, creative freedom, women’s leadership, ecofeminism, and mythology.
The seventh Guangzhou Triennial, SYMPHONY OF ALL THE CHANGES, brought together 59 artists and artist collectives from China and around the world at the Guangdong Museum of Art in Canton. Curated by Wang Shaoqiang together with Wu Hongliang, Philip Dodd, Thomas Eller, and Jiang Jun, the exhibition explored connection, transformation, and the changing conditions of contemporary art.